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2009b). ” P. Hühn et al. (eds). Point of View, Perspective, and Focalization: Model­ ing Mediacy in Narrative. Berlin: de Gruyter, 119–42. – ed. (2003). Narrative Theory and the Cognitive Sciences. Stanford: CSLI. Hogan, Patrick Colm (2003a). The Mind and Its Stories: Narrative Universals and Hu­ man Emotion. Cambridge: Cambridge UP. – (2003b). Cognitive Science, Literature, and the Arts: A Guide for Humanists. Lon­ don: Routledge. Holland, Norman (1975). 5 Readers Reading. New Haven: Yale UP.

Harlow: Longman. Dyer, Richard (1993). ” R. D. The Matter of Images: Essays on Representations. New York: Routledge, 11–8. Eaton, Marcia M. (1976). ” British Journal of Aesthetics 16, 24–31. Eder, Jens (2007). ” T. Schick & T. Ebbrecht (eds). Emotion―Empathie―Figur: Spiel-Formen der Filmwahrnehmung. Berlin: Vistas, 131–50. – (2008). Die Figur im Film. Grundlage der Figurenanalyse. Marburg: Schüren. Emmott, Catherine (1997). Narrative Comprehension: A Discourse Perspective. Ox­ ford: Clarendon P.

Cognitive Narratology 40 4 Topics for Further Investigation (a) Eder (2003: 284 n. 14) sets up a scale of seven possible relation­ ships between cognitive reception theories and narratology. These pos­ sibilities run the gamut from impossibility to unrelated coexistence to the outright assimilation of narratology to cognitive theory. A more general question can be extrapolated from Eder’s analysis: to what ex­ tent does the research conducted to date warrant commitment to the possibility of integrating narratological theory with ideas from the cog­ nitive sciences?

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